That moment when handmade music makes you groove on the spot, then all of a sudden makes you feel like dancing. The not-so-new track of Mischa den Haring and Jan Mittendorp, better known as BLu ACiD, gets right into your bloodstream.
The two dutch musicians released an album called “HCN” recently which features many of their released singles from 2015 and 2016. Although one of the keyphrases I used for this review is “New tracks”, the track “Money” from BLu ACiD is in fact over a year old, but since I discovered it just today, I thought for all of you reading this the sound IS new.
Being a drummer in a krautrock band, I just have a thing for handmade music. Using electronic elements in tracks creates that signature sound which stucks to your head instantly, and that’s one of the things the guys of BLu ACiD do all day long. While “Money” as an example hasn’t that much electro elements in it, it still has that distinctive groovy style coming along with the sound. The electro elements in the other tracks on their album is just the icing on the cake, so to speak.
“Money” showcases that the two musicians are able to transmit a certain feel with their music. You just can hear that they are living what they are doing there. Groovy slightly distorted guitar tracks combined with deep bass lines and that unique vocals keep you caught in the music for those four and a half minutes. The track itself is mixed a bit too flat for my taste, but this could be a wanted effect, serving the retro feel of the track. There’s that “fattening” missing where other producers tend to double or triple tracks. Still, I’m not sure if keeping the track slim was intentional or not. Besides this, everything is placed where it should be. The voice isn’t too centered to give room for the guitar and backing vocal tracks. And most importantly: the feeling is real – you can’t mix that in.
Most of what BLu ACiD is giving me, I’m feeling it. Whether it makes you move, sing along or thinking “how the hell did they DO that?”, it works to keep you entertained, interested and listening. I strongly recommend listening to the whole album, musicians might learn a thing or two from den Haring and Mittendorp, and the avid listener will just groove along.
Being pushed by wide synth lines, and also being lured by soft and emotive vocals. It’s difficult to put the new track of Fancy Cars into any specific genre. So I won’t even try.
Haven’t heard such a great mixture of electro tunes and male vocals in a long time, folks. Packed in a rock solid mixing work, “Heart of Stone” offers a groovy setting where the vocal tracks are falling in place like missing puzzle pieces. The two skilled producers Alan Notkin and Brandon Paddock, better known as Fancy Cars, somehow found the missing ingredient to mix up danceable yet quite harsh synth lines with a slow and steady beat/percussion. The vocals are placed in a wide reverb setting sometimes which is a great trick to add depth and also feeling with it. The track keeps it’s groove throughout the whole time, because as soon as you’re used to the main theme, there’s always added something more, like a drop or those catchy vocal chops. Though these elements are for sure not a new thing in electro, what’s addictive about them is the blueprint by which all of those tracks are fitting in. I guess this was either accomplished by countless hours of work – or these guys woke up one morning, and BAM! there it was, the ready mix in their heads, right after they had breakfast.
Notkin and Paddock got themselves a vocalist named Foy, who did an awesome work to add some …soul to this track. Here’s a guy who loves what he is doing, and you just can hear that through the way he sings.
So, if you ask me, this trio did an outstanding track here. I found myself grooving to this track on repeat, and even the theme stuck to my head when I was driving home. That’s what I call mainstream material, guys.
Bringing a unique mixture of chillout and driving synth electro, here’s a perfect track that will take you to unexpected places, letting you explore settings you never knew existed before. Sounds over the top and hard to believe? Welcome to the world of Jen Gloeckner.
Let me paint you a picture here: what starts like entering a forest on a warm, bright summer day all of a sudden gets mysterious, as if you would step onto some sacred ground within this forest. Gloeckner has the gift of creating deep atmospheres with those sub synths alongside high pitched melodies and sound effects. If you didn’t get lost in this atmosphere by now while just listening to the synth setting, you for sure will be when you hear the vocals of Gloeckner. She has that certain “haunted” element in her voice which leads to a change of the whole scenario. I love the crossing part where the song changes from haunted to driven like flicking a switch. This all goes along so naturally as if there never was another intention but to mix those different styles. By adding those distorted synth lines to the progressing track, I can almost feel the artist smile, like she was saying “didn’t see THAT coming, did you.”
Changing subjects and directions within a single track is an art form not many artists out there can master, but Gloeckner makes it seem so easy. If you don’t believe me, listen to the track with closed headphones and close your eyes for those six and a half minutes. You’ll know exactly what I meant.
“Vine/Firefly” is a crossfade track taken from the upcoming release of Gloeckners album called “VINE” where she offers tracks that emphasize on her unique genre mixture, always keeping her playful mixture of unexpected elements in the spotlight. I got to admit, I don’t really know when to listen to her tracks, since the used mood settings within those tracks are really hard to describe sometimes. I’ll go with the following statement: if you are an adventurer, her music is perfect for you.